{"id":518,"date":"2019-12-03T15:07:11","date_gmt":"2019-12-03T14:07:11","guid":{"rendered":"http:\/\/test6.skemis.com\/?p=518\/"},"modified":"2025-08-25T17:04:44","modified_gmt":"2025-08-25T15:04:44","slug":"japanese-photography-of-the-1960s","status":"publish","type":"post","link":"https:\/\/www.intercult.org\/en\/japanese-photography-of-the-1960s\/","title":{"rendered":"Japanese Photography of the 1960s"},"content":{"rendered":"<p>12 photographers, ranking among the most important representatives of Japanese photography of the 1960s, convey their views on Japan during a time of rapid economic growth and corporate change. The spectrum extends from photo reportage and the spontaneous situation-portrait, from symbolically rich production and graphic abstraction to the poetics of picture narration. They show the effects of the atomic bomb as well as the meditative environment of a Buddhist monastery; they direct the eye to the pulsating rhythms of the big city and to the facets of public life as can be seen in the concealed detail and rich ornamental art of a picture, literally alive on the tattooed bodies of the Yakuza.<\/p>\n<p><strong>Exhibition objects<\/strong>: 70 b\/w-photographs, 13 text panels<br \/>\n<strong>Exhibition space<\/strong>: 300 sqm<br \/>\n<strong>Catalog<\/strong>: German<\/p>\n<p><strong>Exhibition venues<\/strong>:<br \/>\nNikon Live Galerie, Zurich, Switzerland, May 15, 1993 \u2013 June 29, 1993<br \/>\nHistorisches Museum der Pfalz, Speyer, Germany, July 11, 1993 \u2013 September 5, 1993<br \/>\nHistorisches Zentrum Wuppertal, Germany, September 16, 1993 \u2013 October 22, 1993<br \/>\nNieders\u00e4chsisches Landesmuseum, Hanover, Germany, November 16, 1993 \u2013 February 13, 1994<br \/>\ndocumenta-Halle, Kassel, Germany, March 23, 1994 \u2013 April 18, 1994<br \/>\nAngermuseum, Erfurt, Germany, May 21, 1994 \u2013 July 10, 1994<br \/>\nBurg Beeskow, Germany, July 18, 1994 \u2013 August 31, 1994<br \/>\nGruner + Jahr AG, Hamburg, Germany, September 13, 1994 \u2013 October 21, 1994<br \/>\nKunstverein Wiligrad, L\u00fcbstorf, Germany, January 14, 1995 \u2013 February 19, 1995<br \/>\nMuseum St. Ingbert, Germany, August 29, 1999 \u2013 October 17, 1999<br \/>\nMuseum Bad Arolsen, Germany, September 9, 2023 \u2013 November 19, 2023<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_784\" aria-describedby=\"caption-attachment-784\" style=\"width: 2137px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-784 size-full\" src=\"https:\/\/www.intercult.org\/\/wp-content\/uploads\/2017\/06\/Japan_4.jpg\" alt=\"\" width=\"2137\" height=\"1360\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_4.jpg 2137w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_4-300x191.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_4-768x489.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_4-1024x652.jpg 1024w\" sizes=\"(max-width: 2137px) 100vw, 2137px\" \/><figcaption id=\"caption-attachment-784\" class=\"wp-caption-text\">Ikko, Narahara, Running Monk<\/figcaption><\/figure>\n<figure id=\"attachment_812\" aria-describedby=\"caption-attachment-812\" style=\"width: 2132px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-812\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Hosoe-71.jpg\" alt=\"\" width=\"2132\" height=\"1349\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Hosoe-71.jpg 2132w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Hosoe-71-300x190.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Hosoe-71-768x486.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Hosoe-71-1024x648.jpg 1024w\" sizes=\"(max-width: 2132px) 100vw, 2132px\" \/><figcaption id=\"caption-attachment-812\" class=\"wp-caption-text\">Eiko Hosoe, Family scene<\/figcaption><\/figure>\n<figure id=\"attachment_585\" aria-describedby=\"caption-attachment-585\" style=\"width: 2000px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-585 size-full\" src=\"https:\/\/www.intercult.org\/\/wp-content\/uploads\/2017\/06\/Japan_1.jpg\" alt=\"\" width=\"2000\" height=\"1434\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_1.jpg 2000w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_1-300x215.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_1-768x551.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_1-1024x734.jpg 1024w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><figcaption id=\"caption-attachment-585\" class=\"wp-caption-text\">Ikko Naharara, Monk begging<\/figcaption><\/figure>\n<figure id=\"attachment_587\" aria-describedby=\"caption-attachment-587\" style=\"width: 2000px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-587 size-full\" src=\"https:\/\/www.intercult.org\/\/wp-content\/uploads\/2017\/06\/Japan_3.jpg\" alt=\"\" width=\"2000\" height=\"1269\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_3.jpg 2000w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_3-300x190.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_3-768x487.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_3-1024x650.jpg 1024w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><figcaption id=\"caption-attachment-587\" class=\"wp-caption-text\">Ryoji, Akiyama, at the urinals<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>12 photographers, ranking among the most important representatives of Japanese photography of the 1960s, convey their views on Japan during a time of rapid economic growth and corporate change. The spectrum extends from photo reportage and the spontaneous situation-portrait, from symbolically rich production and graphic abstraction to the poetics of picture narration. They show the [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[42,34,6],"tags":[],"class_list":["post-518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-current-3","category-news","category-photography"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Japanese Photography of the 1960s - The Institute for Cultural Exchange<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.intercult.org\/en\/japanese-photography-of-the-1960s\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Japanese Photography of the 1960s - The Institute for Cultural Exchange\" \/>\n<meta property=\"og:description\" content=\"12 photographers, ranking among the most important representatives of Japanese photography of the 1960s, convey their views on Japan during a time of rapid economic growth and corporate change. The spectrum extends from photo reportage and the spontaneous situation-portrait, from symbolically rich production and graphic abstraction to the poetics of picture narration. They show the [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.intercult.org\/en\/japanese-photography-of-the-1960s\/\" \/>\n<meta property=\"og:site_name\" content=\"The Institute for Cultural Exchange\" \/>\n<meta property=\"article:published_time\" content=\"2019-12-03T14:07:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-25T15:04:44+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/Japan_2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1992\" \/>\n\t<meta property=\"og:image:height\" content=\"2000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"luke-admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"luke-admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/japanese-photography-of-the-1960s\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/japanese-photography-of-the-1960s\\\/\"},\"author\":{\"name\":\"luke-admin\",\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/#\\\/schema\\\/person\\\/fd56e15a90f8251f056619835a45c978\"},\"headline\":\"Japanese Photography of the 1960s\",\"datePublished\":\"2019-12-03T14:07:11+00:00\",\"dateModified\":\"2025-08-25T15:04:44+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/japanese-photography-of-the-1960s\\\/\"},\"wordCount\":245,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/japanese-photography-of-the-1960s\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.intercult.org\\\/wp-content\\\/uploads\\\/2017\\\/06\\\/Japan_2.jpg\",\"articleSection\":[\"current\",\"News\",\"Photography\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.intercult.org\\\/en\\\/japanese-photography-of-the-1960s\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/japanese-photography-of-the-1960s\\\/\",\"url\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/japanese-photography-of-the-1960s\\\/\",\"name\":\"Japanese Photography of the 1960s - 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