{"id":1280,"date":"2021-10-14T13:31:21","date_gmt":"2021-10-14T11:31:21","guid":{"rendered":"https:\/\/www.intercult.org?p=1280"},"modified":"2025-08-25T17:03:57","modified_gmt":"2025-08-25T15:03:57","slug":"la-boheme-toulouse-lautrec-and-the-masters-from-montmartre","status":"publish","type":"post","link":"https:\/\/www.intercult.org\/en\/la-boheme-toulouse-lautrec-and-the-masters-from-montmartre\/","title":{"rendered":"La Boh\u00e8me"},"content":{"rendered":"<p>The unique lithographic \u0153uvre of the famous posters of Toulouse-Lautrec is shown in this exhibition. Presented in close interaction with works by his forerunners and contemporaries this comparison allows the visitors to both feel and experience the Belle \u00c9poque and to trace the origins of modern mass advertisement. The complete \u0153uvre of Toulouse-Lautrec can be found in only two museum collections in Europe. This show presents his incomparable \u0153uvre in full together with works of Alfons Mucha, Th\u00e9ophile-Alexandre Steinlen and Felix Vallotton.<\/p>\n<p><strong>Exhibition objects<\/strong>: over 110 posters<br \/>\n<strong>Exhibition space<\/strong>: approx. 600 sqm, adjustable in size<br \/>\n<strong>Exhibition catalog<\/strong>: German\/Italian, German\/English, French\/English<\/p>\n<p><strong>Exhibition venues<\/strong>:<br \/>\nMAN &#8211; Museo d&#8217;Arte della Provincia di Nuoro, Italy, June 22, 2018 &#8211; October 21, 2018<br \/>\nGalerie Stihl Waiblingen, Germany, January 26, 2019 &#8211; April 22, 2019<br \/>\nMuseum Georg Sch\u00e4fer, Schweinfurt, Germany, June 30, 2019 &#8211; September 29, 2019<br \/>\nLandesgalerie Linz, Austria, October 17, 2019 &#8211; January 19, 2020<br \/>\nVictoria Art Gallery, Bath, UK, February 15, 2020 &#8211; May 26, 2020<br \/>\nMillesg\u00e5rden, Liding\u00f6\/Stockholm, Sweden, June 13, 2020 &#8211; September 20, 2020<br \/>\nKunstmuseum Moritzburg, Halle (Saale), Germany, May 9, 2021 &#8211; August 8, 2021<br \/>\nKulturstiftung Schloss Britz, Berlin, Germany, September 5, 2021 &#8211; December 5, 2021<br \/>\nMuseum f\u00fcr Angewandte Kunst, Gera, Germany, March 2, 2022 &#8211; June 5, 2022<br \/>\nM\u00fcnchner K\u00fcnstlerhaus, Munich, Germany, June 24, 2022 &#8211; August 14, 2022<br \/>\nKunstmuseum Brandts, Odense, Denmark, September 3, 2022 &#8211; January 15, 2023<br \/>\nKurpf\u00e4lzisches Museum, Heidelberg, Germany, March 5, 2023 &#8211; June 11, 2023<br \/>\nMus\u00e9e des Beaux-Arts, Quimper, France, June 26, 2023 &#8211; October 15, 2023<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.museumofixelles.irisnet.be\/?set_language=en\"><img decoding=\"async\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2019\/09\/Mus\u00e9edIxelles_Logo_red.jpg\" width=\"94\" height=\"72\" \/><\/a><br \/>\nThis exhibition is organized in collaboration with the Mus\u00e9e d&#8217;Ixelles, Brussels.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_1284\" aria-describedby=\"caption-attachment-1284\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-1284\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/22_LAUTREC-Ambassadeurs-Aristide-Bruant.jpg\" alt=\"\" width=\"1024\" height=\"1500\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/22_LAUTREC-Ambassadeurs-Aristide-Bruant.jpg 1024w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/22_LAUTREC-Ambassadeurs-Aristide-Bruant-205x300.jpg 205w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/22_LAUTREC-Ambassadeurs-Aristide-Bruant-768x1125.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/22_LAUTREC-Ambassadeurs-Aristide-Bruant-699x1024.jpg 699w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-1284\" class=\"wp-caption-text\">Henri de Toulouse-Lautrec, Ambassadeurs\u2010 Aristide Bruant, 1892<br \/>\u00a9 Mus\u00e9e d&#8217;Ixelles<\/figcaption><\/figure>\n<figure id=\"attachment_1290\" aria-describedby=\"caption-attachment-1290\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-1290\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/12_LAUTREC-Jane-Avril-Jardin-de-Paris.jpg\" alt=\"\" width=\"800\" height=\"1121\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/12_LAUTREC-Jane-Avril-Jardin-de-Paris.jpg 800w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/12_LAUTREC-Jane-Avril-Jardin-de-Paris-214x300.jpg 214w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/12_LAUTREC-Jane-Avril-Jardin-de-Paris-768x1076.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/12_LAUTREC-Jane-Avril-Jardin-de-Paris-731x1024.jpg 731w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-1290\" class=\"wp-caption-text\">Henri de Toulouse-Lautrec, Jane Avril, Jardin de<br \/>Paris, 1893<br \/>\u00a9 Mus\u00e9e d&#8217;Ixelles<\/figcaption><\/figure>\n<figure id=\"attachment_1287\" aria-describedby=\"caption-attachment-1287\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1287\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/70_STEINLEN-Tourn\u00e9e-du-chat-noir.jpg\" alt=\"\" width=\"1024\" height=\"1451\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/70_STEINLEN-Tourn\u00e9e-du-chat-noir.jpg 1024w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/70_STEINLEN-Tourn\u00e9e-du-chat-noir-212x300.jpg 212w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/70_STEINLEN-Tourn\u00e9e-du-chat-noir-768x1088.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/70_STEINLEN-Tourn\u00e9e-du-chat-noir-723x1024.jpg 723w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-1287\" class=\"wp-caption-text\">Th\u00e9ophile\u2010Alexandre Steinlen, Tourn\u00e9e du Chat noir. Th\u00e9\u00e2tre de Mons, 1896<br \/>\u00a9 Mus\u00e9e d&#8217;Ixelles<\/figcaption><\/figure>\n<figure id=\"attachment_1286\" aria-describedby=\"caption-attachment-1286\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1286\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/66_2_MUCHA-Champagne-Ruinart2.jpg\" alt=\"\" width=\"640\" height=\"1951\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/66_2_MUCHA-Champagne-Ruinart2.jpg 640w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/66_2_MUCHA-Champagne-Ruinart2-98x300.jpg 98w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/66_2_MUCHA-Champagne-Ruinart2-336x1024.jpg 336w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-1286\" class=\"wp-caption-text\">Alfons Mucha, Champagne Ruinart, 1897<br \/>\u00a9 Mus\u00e9e d&#8217;Ixelles<\/figcaption><\/figure>\n<figure id=\"attachment_1288\" aria-describedby=\"caption-attachment-1288\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1288\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/89_BONNARD-France-Champagne.jpg\" alt=\"\" width=\"640\" height=\"859\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/89_BONNARD-France-Champagne.jpg 640w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/89_BONNARD-France-Champagne-224x300.jpg 224w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><figcaption id=\"caption-attachment-1288\" class=\"wp-caption-text\">Pierre Bonnard, France\u2010Champagne, 1891<br \/>\u00a9 Mus\u00e9e d&#8217;Ixelles<\/figcaption><\/figure>\n<figure id=\"attachment_1285\" aria-describedby=\"caption-attachment-1285\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1285\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/41_CHERET-Moulin-rouge-Paris-Cancan.jpg\" alt=\"\" width=\"800\" height=\"1112\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/41_CHERET-Moulin-rouge-Paris-Cancan.jpg 800w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/41_CHERET-Moulin-rouge-Paris-Cancan-216x300.jpg 216w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/41_CHERET-Moulin-rouge-Paris-Cancan-768x1068.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/41_CHERET-Moulin-rouge-Paris-Cancan-737x1024.jpg 737w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-1285\" class=\"wp-caption-text\">Jules Cheret, Moulin rouge\u2010 Paris Cancan, 1890<br \/>\u00a9 Mus\u00e9e d&#8217;Ixelles<\/figcaption><\/figure>\n<figure id=\"attachment_1289\" aria-describedby=\"caption-attachment-1289\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1289\" src=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/110_VALLOTON-La-P\u00e9pini\u00e8re.jpg\" alt=\"\" width=\"800\" height=\"1058\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/110_VALLOTON-La-P\u00e9pini\u00e8re.jpg 800w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/110_VALLOTON-La-P\u00e9pini\u00e8re-227x300.jpg 227w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/110_VALLOTON-La-P\u00e9pini\u00e8re-768x1016.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/110_VALLOTON-La-P\u00e9pini\u00e8re-774x1024.jpg 774w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-1289\" class=\"wp-caption-text\">F\u00e9lix Valloton, La P\u00e9pini\u00e8re, 1894<br \/>\u00a9 Mus\u00e9e d&#8217;Ixelles<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The unique lithographic \u0153uvre of the famous posters of Toulouse-Lautrec is shown in this exhibition. Presented in close interaction with works by his forerunners and contemporaries this comparison allows the visitors to both feel and experience the Belle \u00c9poque and to trace the origins of modern mass advertisement. The complete \u0153uvre of Toulouse-Lautrec can be [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":1294,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[34,5,45],"tags":[],"class_list":["post-1280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-paintint-and-sculpture","category-past-4"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Boh\u00e8me - The Institute for Cultural Exchange<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.intercult.org\/en\/la-boheme-toulouse-lautrec-and-the-masters-from-montmartre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Boh\u00e8me - The Institute for Cultural Exchange\" \/>\n<meta property=\"og:description\" content=\"The unique lithographic \u0153uvre of the famous posters of Toulouse-Lautrec is shown in this exhibition. Presented in close interaction with works by his forerunners and contemporaries this comparison allows the visitors to both feel and experience the Belle \u00c9poque and to trace the origins of modern mass advertisement. The complete \u0153uvre of Toulouse-Lautrec can be [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.intercult.org\/en\/la-boheme-toulouse-lautrec-and-the-masters-from-montmartre\/\" \/>\n<meta property=\"og:site_name\" content=\"The Institute for Cultural Exchange\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-14T11:31:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-25T15:03:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2018\/01\/Zwischenablage01.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"901\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"luke-admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"luke-admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/la-boheme-toulouse-lautrec-and-the-masters-from-montmartre\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/la-boheme-toulouse-lautrec-and-the-masters-from-montmartre\\\/\"},\"author\":{\"name\":\"luke-admin\",\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/#\\\/schema\\\/person\\\/fd56e15a90f8251f056619835a45c978\"},\"headline\":\"La Boh\u00e8me\",\"datePublished\":\"2021-10-14T11:31:21+00:00\",\"dateModified\":\"2025-08-25T15:03:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/la-boheme-toulouse-lautrec-and-the-masters-from-montmartre\\\/\"},\"wordCount\":356,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.intercult.org\\\/en\\\/la-boheme-toulouse-lautrec-and-the-masters-from-montmartre\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.intercult.org\\\/wp-content\\\/uploads\\\/2018\\\/01\\\/Zwischenablage01.jpg\",\"articleSection\":[\"News\",\"Painting &amp; 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Presented in close interaction with works by his forerunners and contemporaries this comparison allows the visitors to both feel and experience the Belle \u00c9poque and to trace the origins of modern mass advertisement. 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