{"id":266,"date":"2024-11-11T11:15:50","date_gmt":"2024-11-11T10:15:50","guid":{"rendered":"http:\/\/test6.skemis.com\/unkategorisiert\/painting-exhibition\/"},"modified":"2026-06-11T11:37:21","modified_gmt":"2026-06-11T09:37:21","slug":"50-jahre-hyperrealistische-skulptur","status":"publish","type":"post","link":"https:\/\/www.intercult.org\/de\/50-jahre-hyperrealistische-skulptur\/","title":{"rendered":"Reshaped Reality"},"content":{"rendered":"<p>Hyperrealistische Kunst nutzt reale Vorbilder, um im k\u00fcnstlerischen Prozess zu losgel\u00f6sten, neuen Realit\u00e4ten zu gelangen. Seit den sp\u00e4ten 1960er Jahren n\u00e4herten sich verschiedene Bildhauer einer naturgetreuen Nachbildung des Menschen an und schufen detailgetreue Illusionen des menschlichen K\u00f6rpers. Unter Verwendung neuer Materialien und unterschiedlichen, traditionellen Techniken \u2013 darunter das Gussverfahren, die Modellage oder die Malerei \u2013 entwickelten sie zeitgen\u00f6ssiche Darstellungsweisen des fig\u00fcrlichen Realismus.<\/p>\n<p>Die Ausstellung zeigt anhand von 30 Skulpturen von 26 internationalen richtungsweisenden K\u00fcnstlern verschiedene Tendenzen in der Darstellungsweise von hyperrealistischen Skulpturen der letzten 50 Jahre. Die Auswahl zeigt f\u00fcnf zentrale Aspekte des fig\u00fcrlichen Realismus auf, die vor allem deutlich machen, wie sehr die Art und Weise unsere K\u00f6rper wahrzunehmen einem kontinuierlichen Wandel unterworfen ist.<\/p>\n<p><strong>Ausstellungsobjekte:<\/strong> 35 Skulpturen von 27 K\u00fcnstlern<br \/>\n<strong>Ausstellungsfl\u00e4che:<\/strong> ca. 1000 qm\u00b2<br \/>\n<strong>Ausstellungskatalog:<\/strong> Spanisch, D\u00e4nisch, Englisch, Niederl\u00e4ndisch\/Englisch, Deutsch\/Englisch, Chinesisch, Franz\u00f6sisch\/Niederl\u00e4ndisch, Franz\u00f6sisch\/Englisch, Italienisch, Finnisch<\/p>\n<p><strong>Ausstellungsorte:<\/strong><br \/>\nMuseo de Bellas Artes de Bilbao, Spanien; 7. Juni 2016 &#8211; 26. September 2016<br \/>\nMuseo de Arte Contempor\u00e1neo de Monterrey, Mexiko; 15. Oktober 2016 &#8211; 8. Januar 2017<br \/>\nARKEN Museum of Modern Art, D\u00e4nemark; 4. Februar 2017 &#8211; 6. August 2017<br \/>\nNational Gallery of Australia, Australien; 20. Oktober 2017 \u2013 18. Februar 2018<br \/>\nKunsthal Rotterdam, Niederlande: 10. M\u00e4rz 2018 \u2013 1. Juli 2018<br \/>\nKunsthalle T\u00fcbingen, Deutschland, 21. Juli 2018 &#8211; 21. Oktober 2018<br \/>\nHeydar Aliyev Center, Aserbaidschan, 29. November 2018 &#8211; 10. M\u00e4rz 2019<br \/>\nChiang Kai-shek Memorial Hall, Taiwan, 29. Juni 2019 &#8211; 22. September 2019<br \/>\nLa Boverie, L\u00fcttich, Belgien, 22. November 2019 &#8211; 2. August 2020<br \/>\nOsthaus Museum Hagen, 23. August 2020 &#8211; 11. April 2021<br \/>\nTour &amp; Taxis, Br\u00fcssel, Belgien, 25. Juni 2021 &#8211; 2. Januar 2022<br \/>\nLa Sucrie\u0300re, Lyon, Frankreich, 11. Februar 2022 &#8211; 24. Juli 2022<br \/>\nMus\u00e9e Maillol, Paris, Frankreich, 8. September 2022 &#8211; 5. M\u00e4rz 2023<br \/>\nPalazzo Bonaparte, Rom, Italien, 26. Mai 2023 &#8211; 8. Oktober 2023<br \/>\nTampere Art Museum, Tampere, Finnland, 01. Juni 2024 &#8211; 29. September 2024<br \/>\nOsaka Culturarium at Tempozan als Teil der EXPO 2025, Japan, 10. April 2025 &#8211; 13. October 2025<br \/>\nMus\u00e9e national des beaux-arts du Qu\u00e9bec &#8211; MNBAQ, Kanada, 26. Februar 2026 &#8211; 07. M\u00e4rz 2027<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_369\" aria-describedby=\"caption-attachment-369\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-369\" src=\"https:\/\/www.lift-crea.com\/demo\/intercult\/\/wp-content\/uploads\/2017\/06\/GOSH_1.jpg\" alt=\"\" width=\"1200\" height=\"675\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_1.jpg 1200w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_1-300x169.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_1-768x432.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_1-1024x576.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-369\" class=\"wp-caption-text\">Sam Jinks, Untitled (Kneeling Woman), 2015<br \/>\u00a9 Courtesy the artist and Sullivan+Strumpf, Sydney<\/figcaption><\/figure>\n<figure id=\"attachment_370\" aria-describedby=\"caption-attachment-370\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-370\" src=\"https:\/\/www.lift-crea.com\/demo\/intercult\/\/wp-content\/uploads\/2017\/06\/GOSH_2.jpg\" alt=\"\" width=\"1200\" height=\"900\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_2.jpg 1200w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_2-300x225.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_2-768x576.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_2-1024x768.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-370\" class=\"wp-caption-text\">Tony Matelli, Josh, 2010<br \/>\u00a9 Courtesy the artist<\/figcaption><\/figure>\n<figure id=\"attachment_371\" aria-describedby=\"caption-attachment-371\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-371\" src=\"https:\/\/www.lift-crea.com\/demo\/intercult\/\/wp-content\/uploads\/2017\/06\/GOSH_3.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_3.jpg 1200w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_3-300x200.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_3-768x512.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_3-1024x683.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-371\" class=\"wp-caption-text\">Peter Land, Back to square one, 2015<br \/>\u00a9 Courtesy the artist and Galleri Nicolai Wallner, Photo: Lior Zilberstein<\/figcaption><\/figure>\n<figure id=\"attachment_372\" aria-describedby=\"caption-attachment-372\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-372\" src=\"https:\/\/www.lift-crea.com\/demo\/intercult\/\/wp-content\/uploads\/2017\/06\/GOSH_4.jpg\" alt=\"\" width=\"1200\" height=\"578\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_4.jpg 1200w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_4-300x145.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_4-768x370.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_4-1024x493.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-372\" class=\"wp-caption-text\">Evan Penny, Panagiota: Conversation #1, Variation 2, 2008<br \/>\u00a9 Courtesy the artist<\/figcaption><\/figure>\n<figure id=\"attachment_373\" aria-describedby=\"caption-attachment-373\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-373\" src=\"https:\/\/www.lift-crea.com\/demo\/intercult\/\/wp-content\/uploads\/2017\/06\/GOSH_5.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_5.jpg 1200w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_5-300x200.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_5-768x512.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_5-1024x683.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-373\" class=\"wp-caption-text\">Installation view Escultura hiperrealista 1973 &#8211; 2016, Museo de Bellas Artes de Bilbao, 07 June &#8211; 26 September 2016<br \/>\u00a9 Bilboko Arte Ederren Museoa-Museo de Bellas Artes de Bilbao<\/figcaption><\/figure>\n<figure id=\"attachment_374\" aria-describedby=\"caption-attachment-374\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-374\" src=\"https:\/\/www.lift-crea.com\/demo\/intercult\/\/wp-content\/uploads\/2017\/06\/GOSH_6.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_6.jpg 1200w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_6-300x200.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_6-768x512.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_6-1024x683.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-374\" class=\"wp-caption-text\">Installation view 50 anos de Escultura Hiperrealista, MARCO Museo de Arte Contempor\u00e1neo de Monterrey, October 13, 2016 \u2013 January 08, 2017<br \/>\u00a9 MARCO Museo de Arte Contempor\u00e1neo de Monterrey<\/figcaption><\/figure>\n<figure id=\"attachment_375\" aria-describedby=\"caption-attachment-375\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-375\" src=\"https:\/\/www.lift-crea.com\/demo\/intercult\/\/wp-content\/uploads\/2017\/06\/GOSH_7.jpg\" alt=\"\" width=\"1200\" height=\"585\" srcset=\"https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_7.jpg 1200w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_7-300x146.jpg 300w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_7-768x374.jpg 768w, https:\/\/www.intercult.org\/wp-content\/uploads\/2017\/06\/GOSH_7-1024x499.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-375\" class=\"wp-caption-text\">Installation view GYS! Er den levende?, ARKEN Museum of Modern Art, Ish\u00f8j February 04 \u2013 August 06, 2017<br \/>\u00a9 Photo: Anders Sune Berg<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Hyperrealistische Kunst nutzt reale Vorbilder, um im k\u00fcnstlerischen Prozess zu losgel\u00f6sten, neuen Realit\u00e4ten zu gelangen. Seit den sp\u00e4ten 1960er Jahren n\u00e4herten sich verschiedene Bildhauer einer naturgetreuen Nachbildung des Menschen an und schufen detailgetreue Illusionen des menschlichen K\u00f6rpers. Unter Verwendung neuer Materialien und unterschiedlichen, traditionellen Techniken \u2013 darunter das Gussverfahren, die Modellage oder die Malerei \u2013 [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[51,57,13,48],"tags":[],"class_list":["post-266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-current-de-2","category-current-4-de","category-malerei-und-skulptur","category-news-de"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Reshaped Reality - The Institute for Cultural Exchange<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.intercult.org\/de\/50-jahre-hyperrealistische-skulptur\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reshaped Reality - The Institute for Cultural Exchange\" \/>\n<meta property=\"og:description\" content=\"Hyperrealistische Kunst nutzt reale Vorbilder, um im k\u00fcnstlerischen Prozess zu losgel\u00f6sten, neuen Realit\u00e4ten zu gelangen. 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